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Mercanti e civiltà mercantile nel Decameron


ISBN: 978 88 32193 48 0
ISSN 2283-4281
Language: Italian
Publisher: Paolo Loffredo Editore Srl
Sales price 18,00 €
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Mercanti e civiltà mercantile nel Decameron

The merchants, considered in the past as the bishops of an “epopee”, are surely not praised in the “Decameron”; anyway, in the novels the middle classes are not even blamed. The merchants give the opportunity (literal, rhetorical and anthropological) to narrate the world with its vices and virtues, concrete choices and potential rushes. The stories of the merchants extend the social stratigraphy of the “Decameron” and allow to introduce cultural meditations. Therefore, the book presents a collection of merchant novels into four chapters, focussing on interpersonal relationships and on friendships (I, 1-3); on the desire of recognition and personal affirmation (I, 8; IV, 8; VII, 7-8); on love (II, 7; IV, 2-3; IV, 5; VII, 5; VIII, 1); on fortune (II, 2-5 and 9; VIII, 10).
There is no doubt that Boccacio’s work can be considered as a novelty compared to previous works: the merchants are described as carriers of atavic and caricatural limits in the middle latin production and in the “Novellino”, while in the “Decameron” are the very leading actors, despite their acts and mentality. Boccaccio does not evocate those figures to accomplish a didactic or moralistic function, he exploits the whole potential of the merchants, offering a complex and ambiguous representation of them.
The interpretation of the novels, which privileges the intertextual and stylistic analysis, also uses the codes Boccaccio wrote himself, the treatises and memories of the medieval merchants (Paolo de Certaldo, Pegolotti, Cotrugli, Lenzi, the anonymous “Ragioni di mercatura”), in order to consider the differences between literature and the historic reality.

Author 

Matteo Bosio got a PhD in “Storia della lingua e letteratura italiana” (XXVII cicle) at University of Studies of Milan. He wrote “Verità, amore, responsabilità. Le figure femminili ne «Il Re Torrismondo»” (Leonforte, 2017) and the anthology “Il teatro delle corti padane: 1478-1508 (Milan, 2019).


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